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6

Issue 57 – October 2016 – QUEEN MARGARET CALLING

In September, our Year 13 Materials Technology

students had their wearable art window displays

showcased to the public as part of the World of

Wearable Arts (WOW).

Ava Anderson and Tigerlily Mathieson created

designs for the National War Memorial using the

theme of

Conscription

, which was introduced 100

years ago.

Tigerlily created her pro-conscription piece,

Standing

by the flag

, to remember those who thought New

Zealand should fight for ‘King and Country’ and go to

war.

“My design is inspired by the New Zealand flag

and the New Zealand fern badge, which was given to

soliders who fought,” Tigerlily says.

She cut, painted and manipulated thousands of

plastic circles with a heat gun to create a depth of

layering in the flowers on her garment.

The copper colour symbolizes King, Crown, country

and wartime success and the flowers represent soldiers

– the flower of the country’s youth.

Ava Anderson created an Anti-Conscription piece,

Field Punishment No.1,

to remember those who were

pressured into service despite their own personal

convictions.

Her design has symbolic elements to it, including

white feathers, which were a traditional symbol of

cowardice but also symbolised passive resistance.

Using the College’s laser cutter, Ava cut numbers out

of vinyl fabric to represent important details, such as

1916 – when conscription was introduced, 2320 – men

gazetted as defaulters and 18,058 – current official

WWI New Zealand roll of honour figure.

Sophie Lawler and Ruby Chappell had to create

designs for Te Papa Museum, using four objects from

the museum and a specified colour scheme.

The sculptural design of Sophie piece was inspired by

a green vase in the museum’s collection.

THE WOW FACTOR

Queen Margaret College WOWed Wellington this year with its outstanding wearable art

“The floral detail came from a dress in the textile

collection and the kina further influenced my circular

design which I used en masse for visual effect,” Sophie

says.

“I had seen a doll with an interesting skirt that

sparked my fringing detail seen throughout the

garment.”

Sophie made the skirt wide to give her design the

extra WOW factor and used just under 1000 plastic

flowers to cover the entire garment.

“I felt really proud when I looked at my finished

WEARABLE ART: Sophie Lawler’s (far right) and Ruby Chappell’s (far left) designs on full display at Te Papa Museum.

KING AND COUNTRY: Tigerlily Mathieson’s

pro-conscription design.